Selling-Out the Asian-American Community in Amy Tans The Joy Luck Club :: Joy Luck Club Essays

Selling-Out the Asian-American Community in The Joy Luck Club   i concupiscence i could join in the universal praise for amy tan and her best-selling(predicate) allegory the joy luck club. i wish i could reign the latest Chinese-American literary dish as appetizing as the stick around of the american human race does.  but i cant. before amy tan entered the scene, public images of asian america had not developed since the middle of the century. the asian american male did not exist except as a atrocious japanese or vietcong soldier. the asian american female remained the adolescent suzy wong thermionic valve dream, toyed with for a while and then deserted.   amy tan, a gifted writer, had the chance to qualify those images, to dispel the publics misconceptions and to forge a new asian american identity. instead, she copped aside on her obligations, meekly reinforcing every conceivable stereotype.   if you believe tans first novel the joy luck club, asian amer ca is some mystical oddity, conforming to the mascot-culture depend of the white thirtysomething women who predominated at tans reading. san francisco chinatown is filled with hysterical chinese women playing mystic mah jong games. china itself is a dreamlik landscape, filled with secrets and traditions, all exuding a delicate, storybook aura. chinese mothers ar all one-dimensional, superstitious and ignorant. their chinese phrases are delightful italics with quaint meanings. of course, what chinese comedy would be complete without a couple of garbled side of meat words? when tan was late for her berkeley reading, her white husband directed the auditory modality to mimic her mothers amusing syntax why so late? rimshot.   amy tans heroines are the white mother-in-laws dream come true. these china dolls talk and have surd feminine sympathies. as one of tans heroines admits, i apply to push my eyeball on the sides to make them rounder. futile self-denial, but, oh, isnt it cute? tans heroines gain identity by separating themselves from and looking down on their culture. when the heroine in the kitchen gods wife hears about her august aunties spirit money, she sneers are her aunts attempt to bribe her way along to chinese-heaven straightaway suggests a negative contrast to the truer western heaven.   the same dichotomy is used with men as well. asian american men are pitiful -- theyre either bothersome brothers or unsuccessful cheatrs who lead to apathetic boredom.   love with a white male, however, is different.