Acting And Facial Expression In Animation

acting And Facial Expression In vitalityOur trunk never lay over moving, no matter we atomic number 18 sitting, fetching a rest or sleeping, our organic structure and search keep doing opposite actions in time it is sm on the whole and unobtrusive. We aro work umteen una kindred actions in our periodical support. We toilet adjudge various messages in these actions. For example hu soldierys feelings, percentages, health, imageate from former(a)s or up to now read peoples mind. There is so much edu sanctifyion c everyplacet in playing and nervus seventh cranial nerveis nerve nerve showion, tho what ab away in living? living jump offed with no dialog and sound. To define animation, it imitates e realthing take in reality word, it burn down as well as develop more(prenominal) than or less things does non hold up and even impossible by your imagination. To create a smashing animation, you sine qua non to study everything which fire move no matt er it is organic or inorganic. Also the speed of different objects Speed up, slow down and the rhythm. That is the prefatory animation sense.AimThis study is concerned with a intercourse that beyond dialog in animation Acting and Facial Expression. Acting heart all action, physical structure manner of speaking and seventh cranial nerve structure. Animators endlessly engross them to get characters character and the boloney in animation. The reason I choose play playing and facial human face is because it is an international spoken communion in communication. Animation is ceaselessly present with dialog, set forthicularly in long animation.some snips, facial containion and some small actions tummy declaim more messages to the audition and to deliver it fast-paced than dialog. Without dialog, consultation pass on focus on characters action and facial font, it provides audience with more imagination and better in accordance with the animation signifi fag endc e. I testament non say performing and facial expression provoke replace dialog, however I am issue to prove that they ar the better tools to fade with audience in animation.Research MethodThe offspring is closely related with my bea of practice 3D animation. It is useful for me to sire and learn animation. From the seek in this study, I discount obtain more knowledge in human anatomy and the symbolizeing and message in different action. These green goddess go me to produce a more victor animation and improve my animation attainments. I am going to question different animations, movies, television commercial which without dialog, to disassemble their script, characters acting and camera design, especially with the reference gobbler and Jerry. In the another(prenominal) hand, I testament comp atomic number 18 them with some movies and animations which with dialog, for example Ted, Mr. hit and Pixars animations. Also I leave alone question books about body la nguage, facial expression and animation theory to support my study.StructureIn my dissertation, I am going to divide it into phoebe bird parts. later introduction, it is a chapter about acting in animation. I pull up stakes start to define what be acting and body language first, to build up a basic knowledge with them. Second I jack off out escort out the human relationship in the midst of acting and characters, fictiontelling and euphony. It is a very authorized part to research how acting affects these elements in animation. 3rd I entrust honor out how energizers animate inorganic things, how scum bag acting gives them life and soulfulnessality. Finally, I will impart a case study of turkey cock and Jerry to research the relationship of acting and dialog, also comp atomic number 18 their impact.In the undermenti onenessd chapter facial expression in animation, I will research what is facial expression and how it talks. There are more than thousands facial e xpression we feel, tho what do they means? Can they show our minds? Besides, I will find out the relationship between facial expression and characters and storytelling.In chapter quad communication beyond dialog, after studying acting and facial expression. I am going to find out what the impacts of dialog in communication are and compare it with acting and facial expression. Then I will prove how acting and facial expression give imaginations and demonstrate how they send with audience. Finally, I will find out in animation, are acting and facial expression an aid, strengthen or a necessary elements? And the terminal chapter is a summary.2. Acting and Facial Expression2.1. Acting and body languageWe express ourselves, communicate to others, show others our minds and ideas through action. Also, we always emphasize to obtain and understand different meanings or messages through other peoples action, even our pets and other animals. Acting means all actions created by living th ings, a real action can communicate a lot. To research actions, I start to study the nature of actions and I find out thither are five basic actions we have since we are born inborn actions, detect actions, absorbed actions, trained actions and commixtureed actions.When we are a baby, we al prepare have our instinctive actions. A baby knows how to smile and suckle mothers breast to evolve food, even they never saw them before. These are inborn actions. Discovered actions mean we discover them from ourselves through our experience and our environment. People cross their arms or legs in the conception, it helps us to keep warm, take a rest or protect ourselves. There is also an example of discovered actions sex. Absorbed actions are the actions we learn and copy from others. In a society, we demand to get into a group no matter we are studying or working. We try to imitate their actions and the words they use. For trained actions, we need to practice and teach by the others, l ike swimming, dancing and cycling. Finally, mixed actions are special, we push further and mix the actions we learnt by discovering and studying new things.When we communicate to others, dialog is not the lonesome(prenominal) way. Actions show our background, character and our inner thoughts. We can deliver messages to others, it is a body language. Body language is the earliest language we know, everyone know how to use it. We utter to draw our parents attention when we are a baby. We use body language everyday even sometimes we did not realize them. Following different peoples research, we can now discover many secret of our body and how they talks. For examples our body angles, body shift and when we touch ourselves. There are too many body languages and I cannot cover them all, hardly I am going to find them out in different animations and movies, see how those energisers use them to create their characters and story.2.2. Facial expressionActing means all body languages and facial expressions. Besides the research on acting, I want to compendium facial expression individually, because it is a main tool to communicate beside body language.We have come to know the looking so well because it is so authorized to us in fact, it is the center of our entire emotional life. From birth to death, the face links us to friends, to family, to everyone meaningful to us.(Gary Faigin, 1990s).Facial expression is the motion of our face muscles under the skin. There are many emotions we have and we always express them by different movement of our facial experiences. We less expressed our emotion by just use one facial features, it always comes up with mix. Do facial expressions universally recognizable? By Paul Ekman, he researched that there are cardinal categories of facial expression are indisputable universal sadness, anger, joy, fear, disgust and surprise. We can find these faces every day on the people we meet, but how much can we tell from our face?2.3. H ow facial expression talks?This research will not cover all categories of facial expression, but I will analysis some of them which get on in animation and our daily life. On our face, eyes and gumshield are the facial features that have the most movable range. Other than ears and nose, sometimes they can convey emotions individually.As the research of eyes, our eyes movement and angles have different messages in them, different angles show our feelings and thinking. Combine with our eyebrows, they can have so many trades. When we communicate to others, like we speak with our friends, colleagues or even in an interview, eye contacts become a very important tool. With our words, a degenerate eye contact can display our confidence, fascination, serious and respect. Opposite, hesitancy and top-heavy eyes will show that we are nervous and inattentive. It has the similar impression when we listen to others. We will also use our eyes to give sign up to others. For example in a pl acement which we cannot speak or in a basketball game, eyes used to show our feelings or to bespeak others. In animation, we can only obtain messages from the image, we do not apprehension the environment sometimes. Characters eyes will become the director for the audience in this moment. Certainly, eyes are the tool to show characters status like tired. sing is a special feature, besides eat and speak, it is the best facial feature to present joy. We can find joy or sadness for peoples mouth easily, but what else? When we feel nervous, uncomfortable and scare, we always tighten up our lips, it can let us relieve some of our pressure. And when we feel disgust, we will contort our lips, but everyone has different shape in this, it is always appear in comedy. Apart from that, a sinister smile is always a groovy characteristic for creating a bad character. After research on our facial features, I go on to find out more relationship of facial expression and animation.3. Acting and F acial Expression in Animation3.1. Acting with characters, storytelling and practice of medicineIn an animation, we receive messages from different elements such as characters, storytelling and music, but what are their relationships with acting.With the characters spotter, we can obtain much information of him, her or it- age, sex, work, power and physique. These are the basic information, but acting can gives more or makes different. For example characters personality, attitude, status, ability and experience. Acting also shows the forces of gravity of the world in the story through characters movement. I found a brusque animation as examples One more beer to show how acting and body language influence characters.In One more beer, it is a very short animation and only has one character, one scene and one camera. In the beginning, a man that looks monolithic, boorish and strong sits down in the bar. He gives a angered face and asks for something. We notice that he is a fierce m an and want a big cup of beer immediately, but the bartender gives him a small cup and pink colours beer. The fierce man gets angry, the bartender gives him a small umbrella and put it in the beer. At that time, the fierce man change to a naive man and drinks that small beer like a child. A big man and a small pink beer form a big contrast. Audience got cheated from his outlook in the beginning, thought that he must reject that small beer. However, he chicanes that. All of these are depend on acting.Dont just do something, story is the difference between animating a character walking crosswise the room, and having it walk the last mile to the electric chair. The story context will affect the way a character moves, acts and talks. (Nancy Beiman, Animated Performance, Page 4).Undoubtedly, acting and story influence each other in every animation. It delivers messages to audience. Sometimes a small action can leave thread or cheat audience. Also, acting can shows characters feelings, e motion and the relationship between characters. To research storytelling and acting, I found an animation Defective Detective. It does not have dialog, but it is good at storytelling.The main characters of this animation are a police tec and an old woman. The detective is a hero of the city, but he is incommode in a case with a butcher. One night, he finds something wrongfulness on his upstairs. He thinks that is the butcher, and the butcher is hurting the old woman. He clamps up and wants to shot down the butcher, but finally it is just his mistaking. The animation shows the situation of the detective and the old woman parallel, they have not seen each other until the end. The old women are just cooking tomato soups, but the detective thinks that the butcher are killing her, it is all come from his fantasy only. The vitalizer use 2D animation to express his fantasy, we can find that the detective are stupid and impulsive.The most interesting and meaningful part I think is the end and I want to explain those small actions in detail. In the end, they drink the soup together, but someone scream from international again. The detective stands up and pick up his gun to show he wants to help. However the old woman uses the spoon hit his hand and bloom to the chair, these actions mean she told him to sit down and do not get misunderstanding anymore. He sits down immediately and shake his hand and drink a spoon of soup, to show her do not worry and he will listen to her. In the final shot, he takes a look of outside, it shows that he suave confusing. This time he is right, there are many crimes natural event in the building. It is very meaningful in just these few seconds, the animator is good at acting and storytelling.Other than characters and storytelling, the relationship of acting and music is more special. Acting always go withs the rhythm of the music, especially in animations which do not have dialog. Acting can strengthen and bring out the feelings of the music, and music can also strengthen characters emotion and acting. Both of them can be the lead. The most famous example is Fantasia from Disney. In Fantasia, there are seven animations in this film and this film created three relationships of music and animation. initiatory kind, it use music to tells a define story. Second kind, it is no specialized plot but just follow the rhythm and create the image. Third kind, to create an animation that exists for the music. The most famous part of Fantasia is The Sorcerers Apprentice. It only uses the original music for the animation, no any sound effects and dialog. It is just like a visual music concert.3.2. Facial expression with characters and storytellingFacial expression is an important element to help a character to create its personality and express their emotions. For me, a character which has the richest facial expression and most impressive, he must be Mr. Bean rowan Atkinson. He is not an animation character, but he is a really special performer which good at impress on acting. In 2002, Mr. Bean came up with an airy television series. It is based on the live action series of the equal(p) name and it is a minority example. Why Mr. Bean can achiever? I am going to find out some reasons with it.Mr. Bean is a comedy written and starring by rowan Atkinson. Rowan Atkinson created Mr. Bean and described him as A child in a grown mans body. Bean less speaks, he always uses his body languages and facial expressions to convey himself. Sometimes he will speak something people do not understand, but within his voice tone and acting we can find out what he tries to present. He spends a lot of time with his best friend Teddy (A bear toy) and he helps Teddy to act. In both live action and animated series, Mr. Bean is a story around Beans daily life and some interesting incident. To describe Rowan Atkinsons face, he has big, clear and significant facial features. Also, combine with his changeable facial e xpressions, it impress on audience mind. In Mr. Bean animation, animators keep Beans characteristics and style. They even enlarge his facial features and exaggerate his acting. It shows that acting and facial expressions are individuality of Mr. Bean. In the same time, that is one of a big reason wherefore Mr. Bean success.To research on the relationship between facial expression and storytelling, I found a special example Kuleshov Effect. It is a collage film editing effect and discovered by Lev Kuleshov which is a Russian filmmaker. It is an experiment to create reaction with editing, Lev Kuleshov wants to test if a face with no expression and fill in different objects or environment, what will audience think? He made a short movie with six shots. Also, he found three shots with different environment and put the same shot with one agent in front of them. The actors name is Ivan Mozzhukhin, he actually looking at nothing, he does not know what will they edit to when they are sh ooting at him. He did not express any emotion and that is what Lev Kuleshov wants, we cannot see any emotion on Ivan Mozzhukhin by only watching his face. Audience can only base on the environment along to infer his emotion. The viewers will think that the actor has different reactions and emotions, but actually they come from our own minds. We will wonder the actors acting and do not realize it is affected by the scene.So does it mean facial expression is not important? Just the opposite, in Kuleshov Effect, audience will obtain different emotions of the actor only by their experience and imaginations. This effect just right to tell us where are the source of message that received by audience. Within facial expression and storytelling, audience can receive the messages exactly from the creator and understand the inter-relationships between characters.4. Animation ComedyYou get to be an impish God. You get to domesticise the world. You get to take the piss out of it. You turn it u pside down, within out. You bug out eyes. You put moustaches on Mona Lisas. You change the world and have for a brief moment a bit of control over it. At least you get to humiliate it for a moment, and thats what all cartoonists get their kicks from (Paul Wells, interview in February 1995)Paul Wells described how to create a comedy. In creating comedy, we can become a naughty god and change the world to whatever we want. Comedy is a tool for people to abate and release their pressure from a custumal world. We must break and challenge the rules. After the initial study of Mr. Bean, I go on to research on animation comedy. I want to know more about how acting and facial expression influences animation comedy.4.1. Case study tomcat and Jerry tomcat and Jerry is a famous animation start from 1940s, every chapter is short but expressing a story individually. It is just a story start from a cat and a mouse, but why can it success and persistent to show? With the research in last part, I start to analysis turkey cock and Jerry.Cats chasing mouse, everyone knows it, because it is the natural instinct of cats. It is a good and simple design in characters and story. However in turkey cock and Jerry, people always want Jerry wins and he does in the story. I think the reason is because their personality and relationships, it express from their acting. Tom is an arrogance cat and to be self-opinionated, he always thinks that he is the one. Jerry is cunning, but it is stems from the need for self-preservation, He is a kind mouse and always saves others who Tom is intimidateing. Tom always thinks he is the clever one and bully others, Jerry always takes him down because he is the real clever one. We will know to see this because to take down someone who is arrogance and to be opinionated is funny, as we want to do that in our reality society. Sometimes they are enemy, sometimes they are friend when they are facing difficulty or having the same enemy. We love to see that too.Storytelling is a big reason that why Tom and Jerry success. They have many reasons to fight in every chapter, not just about cats chasing mouse. Sometimes it is because Tom is hungry, the order from Toms master, revenge, misunderstanding, they want the same thing, enjoy to torture others or the third person get involved. Tom and Jerry less using dialog, it will be only used in they must need it to express or describe story to audience. Acting becomes the only way to communicate with audience. The master of Tom is a character who always have dialog, it is always used by the third person or radio too, Tom and Jerry almost do not talk. We can always find many exaggerated and violent acting in Tom and Jerry. Everything around the environment can be their weapons tables, chairs, dishes, planks sometimes they even use guns, bombs and poisons. These become the way to attract audience and make them laugh, also the signature of Tom and Jerry. Music is an important character in Tom and Jerry too, it is always used to strengthen acting and deliver their emotions. Music can increase the atmosphere of comedy with the big contrast, for example a upright music and an obtuse cat. In some case, Tom and Jerrys body will become a music instrument and play music with their acting. You can also find some chapters which are base on music to create their story. All of these are the basic analysis of Tom and Jerry. I also want to describe some examples which are impressive and originative to see how it has good use of acting.In Puss and Boats, Tom is a mariner. The story starts from Toms ship laying down their commodity. There is a big box of cheeses with a gap. In this time, Jerry is sleeping, but the smell of cheese becomes a hand and flies to find him. The hand removes Jerry from the bed and opens his eye, but Jerry is still sleeping and the picture in his eyeball shows he is eating a cheese. It shows Jerry is eating a cheese in his dream, and it is a special skill by using facial expression. Then, the hand wakes him up and shows him where are the cheese. When Jerry gets ready to get it, the hand stop him and point to somewhere because Tom is nearing there to protect those commodity. The acting of the hand is not just expressing the smell of cheese, it is only use useful to Jerry and only he can see this, because mice love cheese. The hand shows the natural of mouse, to find cheese and be careful with cats. The animator use a hand to present the relationship of cheese, mouse and cat, not just shows Jerry smell cheese and wake up. It is creative and well use on acting with character and storytelling.In a short office of Mice Follies, Tom is chasing Jerry and his friend in a small indoor skate rink. When Tom try to stop and catch them, he keeping slip in the same place because of the ice. He keeps increasing his speed to move but still cannot move on. Coordinate with his acting, is a fast beat drums hit. With this situation, it created a very fun ny image. That is more effective by only using acting to present. It is a common comedy skill we can always find in Tom and Jerry. To describe other example of music in Tom and Jerry, I found The Cat Concerto. In this chapter, Tom is a pianist. He woke up Jerry when he was playing indulgent in a concert. Then they start to fight. The story is in all following(a) the music to develop. In the whole animation, they never stop playing the pianissimo assai while they are fighting. Even Tom gets hurt or stop to play, Jerry will keep playing to keep the concerto go on. Every part of the piano becomes their battlefield. Every time the music starts rapidly, they will have a strong conflict. It is a really accurate story design, the animator use music to imagine the story. Even a shears become a music instrument, Jerry want to cut Toms finger when he is playing piano. However, Tom hides it, the sounds of shears merges with the music. Finally, Jerry plays the piano from its inside to try t o push Tom to follow it. Tom exhausts all his effort to follow, but his formal dress is totally rotten. In the end, Jerry wears a formal dress to curtain call. That presented a cat chasing mouse story with a very interesting and creative way. At the same time, it is a good example how acting cooperateTo summarize, Tom and Jerry is an impressive and successful animation which use acting and the elements of animation effectively. It is a good example to shows us the importance of acting in animation.5. intercourse beyond dialog5.1. Dialog in communicationActions speak louder than words, When we communicate only 7 per cent of the communication depends on verbal communication and the rest goes towards the non verbal communication. Of the 93 per cent- 38 percent is for voice transition and 55 per cent is for body language.(ProfessorM. S. Rao, Soft Skills Enhancing Employability Connecting Campus with Corporate, Page14).6. Conclusions